ONLINE WALL ART POSTERS

 A disadvantage of this method is that loose sheets are more likely to become lost or damaged. The plastic sleeves also hinder the viewing of surface quality and texture, particularly if the sleeves become crumpled or dirty. For this reason, you may wish to change to a clean, non-reflective display book immediately before assessment.

 Many schools own a manual binding machine. This punches a series of holes along one side of a document so that a spiral binding can be inserted to hold the pages together. A clear plastic cover can be added to protect the work. Binding usually takes place once the submission is complete, with sketchbook pages stored as individual sheets of paper beforehand. Other binding methods are also possible if these allow the sketchbook to lie flat when open.

 As with refillable display books, different paper types can be used, and working on more than one page at once is possible. Pages can also be removed, added, and re-ordered with ease.

 This method is more time-consuming than others and is prone to user error (such as holes punched along the wrong side of an artwork). Nonetheless, it is an inexpensive way to create a high-quality, personalized sketchbook.

 An example of a self-bound student sketchbook: The student name, school, ID number and other information is printed on white paper, along with a photograph of the accompanying final piece, creating a professional title page for the sketchbook. The cover is protected using a clear plastic sheet and bound to the A4 sketchbook. This is part of an A* A Level Coursework project by Nikau Hindin, ACG Parnell College.

 A digital sketchbook typically takes the form of an online portfolio created using a website design platform such as WordPress. A digital sketchbook relies on access to high-speed internet and an appropriate laptop, computer, or other device. Images, videos, and typed annotations are presented on website pages using hyperlinks, menus, and categories to organize content.

 The primary advantage of an online portfolio is that you can include digital images, audio, and video footage with ease. Digital sketchbooks are growing in popularity, particularly for students who specialize in film, photography, and digital media.

 If you opt for a digital sketchbook, make sure you have backup copies of files stored on a memory stick or cloud server (an automatic backup service, such as Dropbox, is recommended) with digital files stored in labeled folders on your device. It is also wise to print a copy of each online portfolio page. These printouts can be bound and submitted so that examiners have a physical copy in case of technological difficulties.

 Before opting for a digital sketchbook, it is worth remembering that long hours online and the distraction of social media can affect mood and sleep, compromising your productivity and quality of work overall.

 There are also benefits to keeping a traditional sketchbook alongside a digital portfolio. This helps verify the authenticity of your digital work, allows the spontaneous transfer of ideas by hand, and strengthens and consolidates your practical art-making techniques.

 We have created a series of articles showcasing outstanding art sketchbook examples. These contain some of the best A Level Art sketchbook pages from students (many of which received full marks), as well as excellent artist sketchbooks, showcasing different approaches, techniques and presentation methods. It is hoped that they provide a motivational resource for students from a wide range of qualifications.

 There are many types of art prints an artist can choose to use. Printmaking techniques like etching and engraving have been around for centuries, while techniques such as c-type printing are relatively new. Each type of print lends its own unique style, offering different textures and tones.

 Below, we discuss the various print types and cover how printing revolutionized the world. Then, we discuss considerations when choosing a paper on which to print a piece of art. Finally, we answer a few of the most common questions asked about printing art.

 Art prints are images that printers or artists create using a hard surface, such as wood or a metal plate, known as a matrix. Traditionally, the artist engraves or inks the matrix, then presses it onto paper using a printing press.

 Methods to create high-quality art prints vary significantly, allowing artists to create distinct styles and appearances. Regardless of the method, though, artists create a limited number of prints. After completing the set number, they destroy the plate, preventing any further prints from being created.

 Aquatint is an intaglio technique similar to etching. With an intaglio technique, the artist uses a knife or acid to cut the image. Then, they apply ink to the recessed areas of the plate. The result is an image that stands up from the paper. So, if you run your fingers over it, you can feel the inked surface.

 It specifically relies on fine particles of acid-resistant materials, usually powdered resin. The artist uses them to create the image on the plate, which is subsequently put in an acid bath.

 The acid cuts into the plate between the grains of resin, creating a uniquely textured image. Once done, the artist uses the plate to make their print. The result is a mass of tiny dots rather than clear lines. These dots make the print look textured and a little blurred rather than defined, similar to painted watercolors.

 Printmaker Jan Van del Vede invented the aquatint technique in 1650, but it seemed to disappear from the art world for a long time after that.

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 It wasn’t until the 18th Century that it reemerged when British artists looked for ways to recreate watercolor paintings. Famously, the Spanish artist Francisco Goya used aquatint in some of his etchings, including Los Caprichos (1799), Los Desastres de la Guerra (1810–19), and La Tauromaquia (1816).

 Collagraphy is a printmaking process that artist Glen Alps coined in 1955. In it, the artist applies various materials to a flat surface, often cardboard or a thin wood plate. Then, they ink the image and press it onto another material using hand tools or a press.

 Artists often use leaves, strings, sandpaper, grass, and other fibers to create collagraphs, making complex images with fascinating textures and tonal effects. However, because the wood or cardboard plate is typically very delicate, collagraph plates may not allow multiple impressions like other printmaking techniques. That means collographs are often mono-prints.

 Evidence of collagraphy existed long before Alps coined the term. Early collographic techniques are present in works from the early 19th Century. Still, it was Alps, an art professor at the University of Washington, who popularized the form with Chickens, Collograph #12, displayed at the Brooklyn Museum’s National Print Annual.

 C-type, or Chromogenic fine art prints refer to prints from film negatives. This printing technique gets its name from c-type or chromogenic paper. Kodak originally trademarked the method, but now we use the term generically. C-type paper contains three emulsion layers, each sensitive to one primary color.

 After the artist exposes the image on the paper, they place it in a chemical solution. Each layer of the paper reacts to the solution differently to create a full-color print.

 Today, this darkroom technique has mostly fallen out of fashion. Instead, modern c-type prints are usually from digital image files. Digital c-type prints rely on lasers or LEDs to expose the colors on photosensitive paper.

 Today, this darkroom technique has mostly fallen out of fashion. Instead, modern c-type prints are usually from digital image files. Digital c-type prints rely on lasers or LEDs to expose the colors on photosensitive paper.

 Unlike inkjet photo prints, c-type prints feature color tones that meld into one another. Proponents of this type of printing say that makes them superior to inkjet digital prints. For this reason, many artists insist on using c-type prints for their photography.

 Engraving is a prime example of an intaglio technique. With this printmaking process, artists carve directly into a metal plate using a tool called a burin. Usually, the plate is made of copper and the burin of steel.

 Depending on the pressure of the artist’s hand, the burin will make shallow or deep cuts. The result is a deliberate appearance with strong lines and clean edges.

 Engraving is favored among the printmaking processes because it allows for several repetitions before the plate wears. Artists like Pablo Picasso, Alberto Giacometti, and Joan Miro used engraving to create limited-edition prints.

 For example, Picasso created his Minotauromachie for a select group of 55 friends and patrons. Today, due to the work’s private nature and technical brilliance, the print is valued at over $1 million.

 We credit Daniel Hopfer with inventing etching sometime in the late 1400s or early 1500s. He used it as an alternative to metalwork when decorating armor. Unlike that method, etching was relatively easy to teach to artists, making it more affordable.

 In etching, artists incise a design onto a metal surface covered in acid-resistant paint before soaking the plate in acid. The acid bath permanently transfers the cut areas, usually the background motif, but leaves the paint intact.

 The artist then typically darkens the etched area. Etching is often linear, but it allows for fine details and contour. You’ll find it in some of the works of Rembrandt, Francisco Goya, and Pablo Picasso.

 Rembrandt’s most famous etching is arguably The Three Crosses. Created in 1653, it portrays Jesus Christ on the cross between two thieves who were crucified with him.